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BARN SOUR - SOUP & GLUEThe final release from Pat Klassen's Barn Sour project collages material from all six Barn Sour releases (which appeared on a variety of labels) alongside a small sprinkling of exclusive material. Barn Sour is a project where the batshit crazy defies the beautiful whilst ... read more » |
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BARON, DEREK - CROOKED DANCESThe debut vinyl release of Derek Baron. From Chicago, IL, now residing in Queens, NY, Baron's work muses on the interior and exterior via explorations of history, memory, listening, domestic ambience and the collective understanding of sound as amorphous matter. 'Crooked ... read more » |
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DOBIE, SHOLTO -& MARK HARWOOD- - THE BLUE HORSE'The Blue Horse' is a beautiful strange journey through a landscape where little is familiar but all are welcome. Made from predominantly acoustic sources, 'The Blue Horse' gracefully hisses, puffs, wheezes, whirls, and clunks its way through a series of distinct musical ... read more » |
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ETANT DONNES - BLEU (2LP)Following the first ever vinyl reissues of 'Aurore' and 'Royaume, Aimant + Aimant', the trilogy is now completed with this new edition of 'Bleu', the final gesture and culmination of this period of creation where poésie and la nature form a magical alliance that ... read more » |
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GOSS, TIM - AFTERFLYTim Goss (known from avant-garde/experimental units The Shadow Ring and Call Back The Giants) returns with his first outing under his birth name. 'Afterfly' is a mature and compelling work that observes life as a set of repeating patterns, no matter the apparent differences ... read more » |
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HARWOOD, MARK - OFFERING'Offering' is Mark Harwood's second LP and is an album of songs about geography and placement and the way people choose to move across the surface of our planet. His simple tools of acoustic guitar, voice, tapes and bric-a-brac give Mark the freedom and clarity of vision to ... read more » |
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HOPKINS, MATTHEW P. - BLUE-LIT HALF BREATHMatthew P. Hopkins' second full-length for Penultimate Press offers a curious and compelling listen which harnesses his deeply personal and paranoid vision into the ultimate beauty/horror object. Over the last decade Hopkins has distinguished himself as a master of multiple ... read more » |
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HOPKINS, MP -& MARK HARWOOD- - DISFIGURED WITH ABBREVIATIONSDebut recording from two troubadours of oppositional creep. Inspired by Philip K. Dick and the useless machines that haunt us all, 'Disfigured With Abbreviations' is a roundtable exquisite corpse which crawls through a miraculous environment, at once sensual and sinister. ... read more » |
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HOUR HOUSE - CHILTERNConceived whilst wandering through the iron bark forests and gold fields of Victoria, the official debut by Melbourne's Hour House gifts a musical blueprint marinated in mystery, beauty, sound and song. Hour House is the Melbourne based duo of Mark Leacy and Sam Kenna, ... read more » |
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O'DWYER, AINE - LOCUSTSWhilst continuing to explore the church organ as her primary instrument, this release steers away from Aine O' Dwyer's album 'Music For Church Cleaners' in both sonic content and themes explored. Recorded and performed in 2015 at St James's Church in Barrow-in-Furness, ... read more » |
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ORA CLEMENTI - COVER YOU WILL SOFTER MELimited to 400 copies. Ora Clementi is the pen name of Canadian sound artist and improvisor Crys Cole and Australian performer and composer James Rushford. The duo's new hermetic world of sound, song and speech employs farfisa, contact mics, percussion, viola, recordings of ... read more » |
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PIOUS FAULTS - OLD THREAD (UK)Penultimate Press (UK) and Aimless Wander (Australia) present the debut album from Brisbane's Pious Faults. With 'Old Thread' this young Australian group have crafted a remarkably lucid and original vinyl debut. A sonic whirlwind of wonderfully deconstructed hardcore punk - ... read more » |
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SMALL CRUEL PARTY - E VAGO FIOR DEL TEMPOThe four pieces on this record all date from the late 1980s and predate any officially released material: 'Cords' was entirely realised in Chicago, and the others realised, or at least finished, upon arriving in Seattle in 1990. The pieces were originally privately released ... read more » |
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